A teen working for Britain’s MI6 during World War II infiltrates the Hitler Youth.
Joseph St. George is 12 on Nov. 9, 1938—Kristallnacht—when the Gestapo take his father away. Joe’s family isn’t Jewish, and he believes his New Zealander parents are diplomats. He’s grown up in Berlin and, with his best friend, Klaus, nephew of Martin Bormann, Hitler’s secretary, has witnessed both military parades and the persecution of neighborhood Jews. When he and his mother have to flee for their lives, Joe realizes there’s more to her life than he knew—especially once she shoots a man. The story then flashes forward two years. Joe, who was sent to live with family on a sheep farm in New Zealand, stows away to London in search of his mother only to discover that the address she gave him doesn’t exist. His attempts to find her lead to mayhem, death, and an interesting invitation from the British government. With a cracking pace and an interesting assortment of largely White characters (excepting Black British musician Ken “Snakehips” Johnson, a historical figure who makes a cameo appearance), it’s a compelling trip presented through the eyes of a natural spy. The wartime details are spot-on. Joe’s initial admiration for Hitler and willingness to target his Jewish neighbors are hard to read about but help show readers his growth from boy to man.
Smart, satisfying, and leaving room for a sequel. (bibliography) (Historical fiction. 12-16)Pub Date: Jan. 3, 2023
ISBN: 978-1-338-85782-5
Page Count: 368
Publisher: Scholastic
Review Posted Online: Nov. 16, 2022
Kirkus Reviews Issue: Dec. 1, 2022
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Two teens connect through a mysterious podcast in this sophomore effort by British author Oseman (Solitaire, 2015).
Frances Janvier is a 17-year-old British-Ethiopian head girl who is so driven to get into Cambridge that she mostly forgoes friendships for schoolwork. Her only self-indulgence is listening to and creating fan art for the podcast Universe City, “a…show about a suit-wearing student detective looking for a way to escape a sci-fi, monster-infested university.” Aled Last is a quiet white boy who identifies as “partly asexual.” When Frances discovers that Aled is the secret creator of Universe City, the two embark on a passionate, platonic relationship based on their joint love of pop culture. Their bond is complicated by Aled’s controlling mother and by Frances’ previous crush on Aled’s twin sister, Carys, who ran away last year and disappeared. When Aled’s identity is accidently leaked to the Universe City fandom, he severs his relationship with Frances, leaving her questioning her Cambridge goals and determined to win back his affection, no matter what the cost. Frances’ narration is keenly intelligent; she takes mordant pleasure in using an Indian friend’s ID to get into a club despite the fact they look nothing alike: “Gotta love white people.” Though the social-media–suffused plot occasionally lags, the main characters’ realistic relationship accurately depicts current issues of gender, race, and class.
A smart, timely outing. (Fiction. 12-16)Pub Date: March 28, 2017
ISBN: 978-0-06-233571-5
Page Count: 496
Publisher: HarperTeen
Review Posted Online: Jan. 17, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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