BIO

 

VALARIE JAMES is an artist, sculptor and essayist whose works have increasingly focused on the plight of those who suffered and died in the desert while crossing the U.S./Mexico border. A former art therapist, she has spent the past 20 years gaining direct experience in the power of art and writing to inform and heal. She and her work have been featured in several publications, among them Sculptural Pursuit magazine and The Wall St. Journal. She teaches at Pima Community College and is based in southern Arizona.

 

 

E S S A Y S / P R O S E

VALARIE JAMES

The Coatimundi

 

            Treed by big dogs, the lone coatimundi digs its bear-like claws into a single brittle branch of an old mesquite. His small eyes dart back and forth, taking in everything, recognizing nothing. Just below, at the base of the tree, big and small blurry shapes close in. A jagged abrupt sound, snarling and barking, punctures the air.

            He turns to tremble under his skin. He squeals, races up and down the branch and freezes. His long flexible snout jacks from side to side, trying to make sense of the acrid smells emanating from under the tree. A bushy non-prehensile tail hangs limp halfway down the length of the mesquite. The great tail, used to balance on his back feet or and signal other coatis, is no good to him now. There is no one of his kind here to alert, no pack with which to flee to safe canopy.

            It's mid-winter in Arizona, in the Sonoran desert. The young male, like generations before him, finds himself solo, cast out after lusty mating. In alien territory, every instinct tells the creature to flee as fast as he can down the dry arroyo and across the flat.

            Diego hits the ground running, his heart pounding as loud as the helicopter bearing down on their group. He races from the copter’s twin tracking beams towards a dark spot on the landscape, darker that the dark night that shrouded them. He leaps high into the air and lands abruptly into the void, right leg first, falling into a deep hard-packed clay hole. He pulls his jacket over his head and tucks his body into a ball. His mind races: If I don’t move, they won’t find me; if I am perfectly still, they’ll forget about me. He hears a muffle of shouts in the distance for a long time...  and then nothing, absolutely nothing, the silence thick as a sky filled with helicopters.

            He struggles out the hole. His leg doesn’t work right. Yeah, it’s hurt, he thinks, but I can still walk. He looks around. They are all gone – his nephew, his cousin, la migra, everybody.  In the pre-dawn light, he can see only the vast flat with round clumps of scrubby mesquites in the distance. He has no idea where he is. He had crossed the desert plenty of times but always in a group, never alone. So accustomed was he to keeping his head down, watching his feet and the feet of the others in front of him, he doesn’t recognize any of his surroundings.

            He picks up his near empty gallon water bottle and tries to think. O.K., I know the sun rises in the east, but where is north? He turns his head to the right of the pale light on the horizon, then to the left. He takes a deep breath, kisses the tiny cloth prayer cards tied on a braided string around his neck, and begins to walk.

 

*     *     *

            She first spots the coatimundi up a tree on the edge of the old cattle ranch right outside her place. From her front door, it looks like a small brown bear, dark and distinct in the boned trees against the dun colored winter sky. By the time she crosses her yard, she can see it clearly, a cross between a bear, raccoon, and an ant-eater – a finely marked masked face, a long skinny white snout topped by a boxy black nose, and big paws with extended claws that curve around the branch on which it teeters.  She has never seen anything like it.

            She struggles to corral the dogs, hating all the while to look away from the creature.  When at last she is alone, she stands back and quietly observes the animal.  How amazing to not know that such a thing existed here right under her hose. How marvelous to be surprised by natural mystery after all these years. Her breath catches sharply. Tears well in her eyes, an honest relief washing over her like rain over parched land.

 

*     *     *

            By mid-day, Diego sees a small shack in the distance, the sun glinting off a tin roof. No matter what, he has to stop. He has to get water. He has to rest. His leg throbs, each step a burning pain in his shin. Seeing no fence, he slowly approaches the front door and knocks. No answer. An old Chevy truck is parked next to the house. He knocks again and waits. Slowly, the door opens and an old man motions him to enter.

            It takes a moment for Diego’s eyes to adjust to the dark one-room shack. He sees a wooden table with a couple of chairs, a single cot against the wall. On the counter in front of him, steam rolls off of a big pot on a hot plate. The old man sits a glass of water in front of him and then brings him corn tortillas and beans. With runny eyes like rice milk in a glass, the man sits across from Diego and peers at him. He says nothing, even when Diego asks him where he is. It is hard to know whether the old man doesn’t speak Spanish or just doesn’t speak at all.

            The food is like cardboard in Diego’s mouth. He eats slowly, knowing how easy it is to get sick from not eating for so long. He sips the water from the glass. After dinner, the old man refills Diego’s plastic bottle with water, brings him a blanket and motions for him to go outside. He grunts, pointing toward a stand of trees, the sun slipping behind the horizon.

            In the morning, Diego can barely rise. The condition of his leg has worsened. He looks up and sees a lay of the land that looks familiar. I must be getting close to asphalt, he hopes.

 

*     *     *

            In her mind, she commands the coatimundi to go...now. The coati’s eyes, still darting from side to side, stop and stare at her for a long moment. Then, slowly, bobbing with anxiety, the coati comes down the tree head-first, stopping for a brief moment as it hits dirt. Nosing the air, it takes off on all fours and does not look back.

            The next day, she hears the dogs barking. A young man is limping fast down the dirt road in front of her chain link fence. The gate had been left accidently open; the dogs charge. She shoos them away and offers the man water and a shady place to rest underneath the ramada.

            After awhile, with permission, she slowly removes his shoes and socks. The telltale blisters blossom all over his soles of his feet. She hacks wild aloe from the yard, splits it open and tapes the gooey succulent to his feet. He winces. She takes his empty water bottle and goes inside. Later she emerges with more water and some food. It is getting dark. No way is he going anywhere with those feet. She leads him into the house and shows him the spare bed in the guest room.

            Reeking of sweat and old cologne, he pulls off his shirt. In huge lettering, the name "Diego" tracks across his back in the Old English font of Spanish conquistadors. A tattoo of his mother’s name in matching style dances across his chest. Tiny cloth prayer cards, woven with the image of Guadalupe and the Saint Jude dangle from braided thread circling his neck and each wrist.

            Protected only by grace, coatimundi closes his eyes. Tomorrow, he will make his way.

 

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Volume 1, Number 2

Summer / Fall 2010

 

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